O risco emocional na performance: a construção do espetáculo performativo Se Valoriza Gay

Abstract

As a teenager I remember being in 6th grade fundamentally, watching history class with eyes painted black. Suddenly I find myself being confronted by the teacher of the discipline, that in his homophobic speech he affirmed that "In the time of the Egyptians to paint the eyes of black were fashion, nowadays it was fagot. " This same boy in high school went to the board by walking hand in hand with another boy in the corridors of the school, it is worth remembering the various warning that he took to shout his ideologies to the four winds. Of several shades of hair, nails painted black enamel and its teenage rebellion. Francisco de Paulo Barbosa Junior was that boy strange that he felt excluded in the school environment, that at 17 years of age found amparo in the theater