Percepção fisica e Alejandro Ahmed: a essencia dos espetaculos do Cena 11 Cia. de Dança

Abstract

The contemporary dance in the group Scene 11 was the basis for the resignification of the same in the dance area. By uniting performance of the dancers, the idea of spectacle, it was possible to have in the creative process choreographic several possibilities and means of movements and visions. The research makes a brief analysis of two shows of scene 11 cia. Of dance, having Alejandro Ahmed as one of his main focuses, bringing the physical perception, which is one of his methods adopted for the conception of his spectacles. The analysis aims at space, movement, body, accessories, technology, to understand how these aspects constitute the body of the dancer and consequently the aesthetics of his dance. It was also intended to write about contemporary experience, as dance becomes a form of communication / body language and thus how it can become a form of language.