A busca pela organicidade psicofísica enquanto atriz no processo da montagem cênica Sobre a Adorável Sensação de Sermos Inúteis

Abstract

This article quest to think over my practice as actress in the stage production 'Sobre a adorável sensação de sermos inúteis' where I built my creation as of the survey with the method of physical actions by Constantine Stanislavski. For this purpose, I link, here, some features which build the Stanislavski system, thinking in the creation of physical actions. They are: concentration, imagination, ‘magic if', faith and the truth meaning and time-rhythm, those what fill each other in the real practice with the method of physical actions.