A preparação cênica para atores-manipuladores com o boneco não-realista na montagem do espetáculo fim de partida de Samuel Beckett

Abstract

From the language of Animated Forms Theater, I highlight the work with Puppets as a possible way to research the unrealistic expressiveness in the actors/handlers’s creation. Therefore, I propose the experimentation with the artisanal handmade of the puppets to the actors/handlers be aware of the production process and put theirs energies on it since the construction of the unanimated being that they are going to give life along the process, following basic principles for the construction and creation of the puppet. Considering this, I introduce the practice of the actor/handler and his relationship with the puppet. The research is focused on the first steps before the scenes preparation in respect of the proccess of spectacle construction End Game of Samuel Beckett. The work “End Game” was written by the Irish playwright and writer Samuel Beckett in 1957, and portrays about the post-apocalyptic where the characters Hamm, Cloy, Nagg and Nell are living. The Beckett’s dramaturgy is given in to the language of the Theatre of The Absurd, presenting the precariousness of the human relations in the modern society.