A sensorialidade no processo dramatúrgico contemporâneo – relatos da criação na narrativa de “solércia” e “rosalice”

Abstract

This article deals with the creation of two theatrical dramaturgies, based on sensory experiments to conduct the performer's exercise, leading her to the universe of her character, emphasizing the stimulation of the five human senses, exploring the memories and experiences of the actress and of the character. Reflecting on the performative processes “Solércia” and “Rosalice” inspired by the text “Not I” by Samuel Beckett and developed from the Stanislavski’s system, making a link with the theater of the absurd, in which comicity is united with the tragic feeling of desolation and loss of references of the contemporary modern human being. Thus, reporting the provocations proposed by the direction and how they stimulate the development of a body score, investigating which sensations this actress experiences in the trials and how to transform it into dramaturgy. Thus, this article aims to describe the records from the method of directing to the dramaturgical writings about the performative shows “Solércia” and “Rosalice”.