Disponibilidade corporal: fatores que influenciam o bailarino durante um processo criativo coreográfico

Abstract

Nowadays, the choreographic processes in contemporary dance broaden the possibilities between the new and the old, between past and present or even right and wrong. This universe welcomes interpreters and choreographers with a range of probabilities in the artist's expression on the scene. In the most diverse choreographic procedures, dancers and choreographers are directly linked to body availability and this connection goes beyond motor and technical experiences, there is a variety of psychological and artistic issues that also Stimulate the emergence of this body available in the dancer in the contemporary dance scene. As an objective, the research sought to investigate and understand the technical, artistic and psychological issues that are intrinsically present in the course of creative composition. The research has as methodological basis the exploratory type with qualitative approach, the technical procedures are the field and participant research, where to collect data was necessary a field diary for the researcher and semi-structured interviews for the subjects who were involved with the choreographic process, to analyze the data was used the discourse analysis and thematic analysis in which there was Transcription of the speeches and separation of key passages that were linked to the particular view of each one, where it was perceived that in the subjects there were interferences in different factors, yet the choreographic creation reverberated positively and negatively.