Grafite: uma proposta de criação para espaços não-convencionais

Abstract

Urban art or street art is all work presented in the streets as: intervention, artistic performance and demonstrations. Throughout the time, transformations occurred in the modern period (1640 to 1960) that caused the rupture of certain conditions of the modern art in its spaces for exhibitions and its works of art, obtaining thus new postures and procedures in the decade of 1960, that today we can understand by contemporary art. The interventions of graphite are works of art that can be analyzed as contemporary art, are ephemeral phenomena and is currently one of the artistic expressions that grows the most in the cities, being a means of expression in the wall that addresses gaps in social and historical reality. The research question arose from the observation, sensitivity and perception of the possibility of transforming information from the shapes, lines and texture of graphite into movement in the body, experimenting with and using it as a new creative element, which can be added to the processes of creation in dance in non-conventional spaces. The research sought the iconographic method, the study of the image as a tool for the development of the creative process in dance, for later applied experiments in the public space. We selected for sample: 4 graffiti images to be analyzed of Avenida avenue Dijalma Batista and 2 interpreters. The instruments for collecting the data were through recording videos of each improvisation and was filmed from various angles. From this the research arrived at a reflection that the graffiti and the viaduct are connected and generate information and sensations that only that place can bring, only to analyze the graffiti and to take such sensations to other spaces loses all the power and cause movement by the movement, but a space that sends the same sensation that the improvisations developed in the viaduct. Finally there was the idea and sensitivity of creating a video dance of these experiments in the place that has the graffiti (viaduct) resulting as the final product of the work of completion of course in baccalaureate in dance.