Em busca de um preparo corpo-voz para o ator no espetáculo Fim de Partida

Abstract

This work has as main objective a search of a preparation for the actor without spectacles, the end of the class, the director and director Samuel Beckett. In pursuit of this preparation, bring as one of the main objectives the attempt to carry out a training that manages to integrate the work of body and voice in an organic way, and that can be a possible training without which there is a possibility of how the preparer can adapt to an exercise that adds a spectacle. The concern of this research was of the perception throughout the scenic processes. However, we perceive that the functioning of the voice is corporal, since the basic principle of vocal work, both in music, theater and also in phonoaudiology comes from breathing, which is effected from the contraction of the muscle and organ: diaphragm, larynx, trachea, lungs, jaw, mouth, among others. For evaluation use the preparation for the exercises of scenic approach exercises that seek the integration to the practice corporation and vocal knowledge to extors the part of the academic students, as well as and teach and evaluating part of the society. The method used for an accomplishment of this work is the auto-ethnographic one. The self-ethnographic research according to Fortin (FORTIN, 2009), is an investigation that seeks an investigation of the self, the artist-researcher from his experiences brings us an investigation. "It is characterized by a writing that" allows one to enter into a variety of experiences and as a cultural measure to put resonance in the inner and most sensitive part of oneself "(Fortin, 2009: 83). The experimental exercises I bring here have resulted in the creation of characters and scenes, bringing us some thoughts about the creative process.